Select all that apply. a category of artistic composition, as in music or literature, that is marked by a distinctive style, form, or content is called
a prelude
a genre
a nocturne
a dissonance

Now lets start at the top, a prelude to a song is in the actual song itself and does not define the song in anyway. If the song has words or a singer, the prelude is most of the music before the words/singer starts. It is a piece of music played as an introduction to the main piece of a song.

Next up and the second most unlikly a dissonance. Like a prelude, this also sometimes happens in a song... as a mistake a decent portion of the time. A dissonance is disagreeable sounds; opposite of the harmony.

A nocturne is an instrumental composition of a pensive, dreamy mood, especially one for the piano, and thats all I have time for before my next class.

explanation:

nutelal

the exact role and status of women in the roman world, and indeed in most ancient societies, has often been obscured by the biases of both ancient male writers and 19-20th century ce male scholars, a situation only relatively recently redressed by modern scholarship which has sought to more objectively assess women's status, rights, duties, representation in the arts, and daily lives; and all this from almost exclusively male source material dealing with a male-dominated roman world.

women in mythology

unlike some other ancient cultures such as the greeks who had formed a creation myth where woman was a creature secondary to man and, more specifically, in the form of pandora, a bringer of unhappiness and vices, the romans had a more neutral approach where humanity, and not specifically the male, was created by the gods from earth and water. ovid's metamorphoses, for example, does not specify whether the first human was a man or a woman. at least in a physical sense then men and women were not regarded as belonging to a different species as in the greek world, a view often reiterated in roman medical treatises.