Read the excerpt from cristina garcia’s dreaming in cuban.
“lourdes, i’m back,” jorge del pino greets his daughter forty days after she buried him with his panama hat, his cigars, and a bouquet of violets in a cemetery on the border of brooklyn and queens.
his words are warm and close as a breath. lourdes turns, expecting to find her father at her shoulder but she sees only the dusk settling on the tops of the oak trees, the pink tinge of sliding darkness.
“don’t be afraid, mi hija. just keep walking and i’ll explain,” jorge del pino tells his daughter.
the sunset flares behind a row of brownstones linking them as if by a flaming ribbon.
which best identifies the magic realism found in the excerpt?
a. lourdes’s father returning to her from the dead
b. the list of items lourdes buried with her father
c. the dusk settling on the tops of the trees
d. the flaring sunset behind the brownstones

In the section the deciding pitch what is the narrators point of view on how th pitcher feels about the upcoming event

Read the following scene from trifles. sheriff (chuckling). married to the law. (moves toward the other room.) i just want you to come in here a minute, george. we ought to take a look at these windows. county attorney (scoffingly). oh, windows! sheriff. we’ll be right out, mr. hale. (hale goes outside. the sheriff follows the county attorney into the other room. then mrs. hale rises, hands tight together, looking intensely at mrs. peters, whose eyes take a slow turn, finally meeting mrs. hale’s. a moment mrs. hale holds her, then her own eyes point the way to where the box is concealed. suddenly mrs. peters throws back quilt pieces and tries to put the box in the bag she is wearing. it is too big. she opens box, starts to take the bird out, cannot touch it, goes to pieces, stands there . sound of a knob turning in the other room. mrs. hale snatches the box and puts it in the pocket of her big coat. enter county attorney and sheriff.) county attorney (facetiously). well, henry, at least we found out that she was not going to quilt it. she was going to—what is it you call it, ladies! mrs. hale (her hand against her pocket). we call it—knot it, mr. henderson. what changes might a director or screenwriter make to the original version of this scene in order to best emphasize the mood? cut dialogue from the scene to make it a more appropriate length update the setting to appeal to a more modern-day audience omit the actions of the characters to avoid confusion and chaos include the use of lighting, camera angles, and sound effects

Indicative verb mood is used for all of the following except a facts b. requests c. opinions d. questions select the best answer from the choices provided oa ob 0 c