Explain how Eugene O'Neill uses stage directions to indicate what is real and what is fantasy in his play Where the Cross Is Made.

you mean jake paul

its everyday bro!

you have to write the essay, it counts as cheating if i do. so just use your brain; you're a smart kid. you can do it. : )

explanation:

nah. i'm good.

this question is grammatically incorrect and is illegible to me so i can not answer.

emerson essentially believes that traveling is overrated. he supports this perspective through an initial focus on "the idea" of places like italy, england, and egypt, and the fascination of "educated americans" with them. he argues that those places only took on the grand, majestic ideas that they represent because "they who made england, italy, or greece venerable in the imagination did so by sticking fast where they were, like an axis of the earth." yes, those places are grand, but only because they so clearly represent the places that they are. the art and culture of italy, england, and egypt is authentic, and therefore significant.

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