Take a list of heights (in_lst) in different formats, for each one calculate height in milimeters (integer), and store it, or None (is not compliant with known format) in output list (out_list).Input: a list raw_lst of elements of many types: floats, ints, strings, bools, and potentially other weird data types. Particular value ranges of floats and ints represent heights in different formats:float between 2.75 and 9 (exclusive) indicates height in feet. float between 0.83 and 2.75 (exclusive) indicates height in meters. float between 12 and 108 (exclusive) indicates height in inches. integer between 83 and 275 (inclusive) indicates height in centimeters. integer between 830 and 2750 (inclusive indicates height in milimeters. Output: a list out_list of the same length as in_list. Each element of this list derives from a specific element of the in_list. Each element is either (a) an integer, corresponding to the index-matched element of in_list converted to height, in milimeters, or (b) None. Units: 1 foot = 12 inches; 1 inch = 2.54 cm; 1 meter = 100 cm; 1 cm = 10 mm;in_list = [5.5, 1.8, 69.5, 167, 2000, 6, 'six feet', '2 meters', b'4a', (5, 8), {'height':69}]out_list == [1676, 1800, 1765, 1670, 2000, None, None, None, None, None, None]

Work with a monitor that’s calibrated and profiled. for critical image editing, calibration and profiling are essential. otherwise, the image you see on your monitor looks different on other monitors or when printed.plan to use adjustment layers to adjust the tonal range and color balance of your image. adjustment layers let you go back and make successive tonal adjustments without discarding or permanently modifying data from the image layer. keep in mind that using adjustment layers adds to the file size of the image and demands more ram from your computer. accessing the color and tonal commands in the adjustments panel automatically creates adjustment layers.if you don’t want to use adjustment layers, you can apply adjustments directly to an image layer. remember that some image information is discarded, when making a color or tonal adjustment directly to an image layer.for critical work and maximum preservation of image data, it’s best if the image you work with is 16 bits per channel (16‑bit image) rather than 8 bits per channel (8‑bit image). data is discarded when you make tonal and color adjustments. the loss of image information is more critical in an 8‑bit image than a 16‑bit image. generally, 16‑bit images have a larger file size than 8‑bit images.duplicate or make a copy of the image file. working on a copy of your image preserves the original in the event you want to use the image in its original state.remove any flaws such as dust spots, blemishes, and scratches from the image before making color and tonal adjustments.open the info or histogram panel in expanded view. as you evaluate and correct the image, both panels display invaluable feedback on your adjustments.you can make a selection or use a mask to confine your color and tonal adjustments to part of an image. another way to apply color and tonal adjustments selectively is to set up your document with image components on different layers. color and tonal adjustments are applied to only one layer at a time. only the image components on the targeted layer are affected.

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There is a paper clip on the bottom left side below the question box 

Idid not read your question or any thing i am just trying to get more pts so i can ask questions sorry