1. what do many of the works of german painter lucas cranach the elder have in common with those of dutch painter hieronymus bosch? a. they were often allegories based on religion and morality. b. they were noted for their clever miniatures. c. they were most often records of historical events. d. they were mainly focused on religious icons.

note: it is not d.

2. which of the following is the correct chronological order of art periods?
a. baroque, mannerism, neoclassicism, romanticism
b. neoclassicism, baroque, mannerism, pre-raphaelite
c. renaissance, rococo, baroque, romanticism
d. mannerism, baroque, rococo, neoclassicism

note- it is not c.

3. which of the following was one of the key principles endorsed by the pre-raphaelite brotherhood?
a. the basis of all art is the imagination.
b. the substance of good art should be spiritual.
c. art should embrace progressive political ideals.
d. art requires rote learning of tradition and formulas.

note- it is not d.

4. the rococo style was influenced by the
a. church's desire to counter the reformation movement.
b. plight of the common worker.
c. extravagance of versailles.
d. catholic church's religious austerity.

note- it is not d.

1 . Correct answer choice is:

A. They were often allegories based on religion and morality.

Lucas Cranach the Elder was a German artist and printmaker remembered for his self-conscious paintings of German royalty, accompanying with biblical displays which imitate elongated, semi-erotic peelers. Hieronymus Bosch was a Dutch artist and illustrator from Brabant. He is generally viewed as one of the various well-known representatives of the Early Netherlandish art institution.

2. Correct answer choice is:

D. Mannerism, baroque, rococo, neoclassicism

Mannerism is a vogue in European art that developed in the succeeding times of the Italian High Renaissance nearby 1520. The Baroque is an extremely elegant and frequently exaggerated vogue of structure, painting, and music that prospered in Europe from the preceding 17th till the late 18th century. Rococo was an exuberantly ornamental 18th-century European form which was the final interpretation of the baroque journey. Neoclassicism is the title awarded to Western campaigns in the ornamental and visible paintings, literature, cinema, music, and design that draw influence from the "traditional" art and knowledge of ancient Babylon.

3. Correct answer choice is:

D. Art requires rote learning of tradition and formulas.

Explanation:

The Pre-Raphaelite Brotherhood was an association of English artists, lyricists, and censors, established in 1848 by William Holman Hunt, John Everett Millais, and Dante Gabriel Rossetti. It started in 1848 when an association of seven young designers banded collectively against what they believed was an unnatural and posed strategy for composing trained at London's Royal Academy of Arts.

4. Correct answer choice is:

C. Extravagance of Versailles

Explanation:

An unusual but in some styles besides the formal type of Rococo developed in France where Louis XIV's continuation instituted a variance in the court painters and prevailing aesthetic style. By the end of the king's continued reign, rich Baroque patterns were yielding way to moderate components with more curves and intrinsic exemplars. These components are explicit in the compositional patterns of Nicolas Pineau. During the Régence, court life passed away of Versailles and this creative development became well instituted, leading in the royal palace and then during French high culture.