The costume designer's choices in deciding how to costume a play such as oedipus el rey or the moors are primarily dependent upon:

select one:
a. the directorial concept
b. the performers' requests
c. the script
d. the fabric available

The costume designer's choices in deciding how to costume a play such as this, depends primarly upon: a. the directorial concept.

Explanation:

For the construction of a costume play such as Oedipus and The Moors, since they are classic plays they both have a historical context by which that play is developed. The directorial concept would refer to this context to direct the play.

The directotial concept is the way a director visualizes how the play is going to be. From this vision or idea all the other elements in a play are going to develop. The design of the constumes have to go by this concept.

in 1862, president lincoln's emancipation proclamation opened the door for african americans to enlist in the union army. although many had wanted to join the war effort earlier, they were prohibited from enlisting by a federal law dating back to 1792.

explanation:

booker t. washington was an educator who established the tuskegee institute. washington argued that african americans should learn trades that would offer them the opportunity to be progressive citizens. instead of fighting against discrimination, washington argued that african americans should use their education and knowledge to become self-sufficient in american society and not in competition with white americans.

w.e.b du bois was the founder of the niagara movement and later the naacp, du bois disagreed with washington. he argued that african americans should consistently fight for racial equality.

ida b. wells was a journalist who wrote about the horrors of lynching in the south. wells work could be considered muckraking as it led to the development of the anti-lynching campaign.