Ismene, dear sister, you would think that we had already suffered enough for the curse on oedipus: i cannot imagine any grief that you and i have not gone through. what antigone make thw dangerous decision to bury her brother, despite the known conssequnces? a. antigone cannot imagine that her own death could be worse than the death of oedipus. b. antigone believes that she is doomed sue to her father sin and accepts it wholeheartedly c. antigone wants to teach ismene a lesson for being so weak-willed and knows that ismene would be hurt by antigone's death. d. antigone as a strong woman wants to undermine creon male authorithy

Ineed with another opening line. here's the idea: a girl got detention for something she didn't do, and had to stay afterschool until evening. she headed towards the bathroom, only to be lured away by distant music. she walks down the dark hallway (which lead to the auditorium) and saw a boy playing the piano, perfectly. i just need a detailed description of this. best will be awarded brainliest. you

Iwill give brainliest1.when you suddenly find your tongue twisted and your speech stammering as you seek to explain to your six-year-old daughter why she can't go to the public amusement park that has just been advertised on television, and see the tears welling up in her little eyes when she is told that fun town is closed to colored children, and see the depressing clouds of inferiority begin to form in her little mental sky… •type of figurative language: •meaning of figurative language: •effect on tone and mood: •effect on audience: 2.like a boil that can never be cured as long as it is covered up but must be opened with all its pus-flowing ugliness to the natural medicines of air and light, injustice must likewise be exposed, with all of the tension its exposing creates, to the light of human conscience and the air of national opinion before it can be cured. •type of figurative language: •meaning of figurative language: •effect on tone and mood: •effect on audience: 3.over and over again i have found myself asking: "who worships here? who is their god? where were their voices when the lips of governor barnett dripped with words of interposition and nullification? where were their voices of support when tired, bruised, and weary negro men and women decided to rise from the dark dungeons of complacency to the bright hills of creative protest? " •type of figurative language: •meaning of figurative language: •effect on tone and mood:

How does the authors discussion of sujatha baliga's own experiences with abuse and forgiveness contribute to the text