Which line from act 2 of the monsters are due on maple street to distinguish this teleplay as a work of science fiction rather than a work of fantasy fiction? a.)"steve—you know why i shot! how was i supposed to know he wasn't a monster or something? " b.)"you were so quick to kill, charlie, and you were so quick to tell us who we had to be careful of. well, maybe you had to kill." c.)as suddenly charlie's lights go off and the lights in another house go on. they stay on for a moment then from across the street other lights go on and then off again. d.)the crowd starts to converge around the mother who grabs the child and starts to run with him. the crowd starts to follow, at first walking fast, and then running after him.

In order really to hate white people, one has to blot so much out of the mind — and the heart — that this hatred itself becomes an exhausting and self-destructive pose. but this does not mean, on the other hand, that love comes easily: the white world is too powerful, too complacent, too ready with gratuitous humiliation, and, above all, too ignorant and too innocent for that.which sentence best explains how the use of parallelism in the excerpt supports baldwin's purpose? a. it proves baldwin's central idea by highlighting the obvious.b. it emphasizes the problems that prevent one from loving the white world.c. it explains why the white world is unable to replace hate with love.d. it enumerates the many ways of dealing with the white world.