You have taken me prisoner with all my warriors. i am much grieved, for i expected, if i did not defeat you, to hold out much longer, and give you more trouble before i surrendered. i tried hard to bring you into ambush, but your last general understands indian fighting. the first one was not so wise. when i saw that i could not beat you by indian fighting, i determined to rush on you, and fight you face to face. i fought hard. but your guns were well aimed. the bullets flew like birds in the air, and whizzed by our ears like the wind through the trees in the winter. my warriors fell around me; it began to look dismal. i saw my evil day at hand. the sun rose dim on us in the morning, and at night it sunk in a dark cloud, and looked like a ball of fire. that was the last sun that shone on black hawk. his heart is dead, and no longer beats quick in his bosom. he is now a prisoner to the white men; they will do with him as they wish. but he can stand torture, and is not afraid of death. he is no coward. black hawk is an indian. where does the point of view shift in the first paragraph of this passage?

Announcer two: ladies and gentlemen, following on the news given in our bulletin a moment ago, the government meteorological bureau has requested the large observatories of the country to keep an astronomical watch on any further disturbances occurring on the planet mars. due to the unusual nature of this occurrence, we have arranged an interview with noted astronomer professor pierson, who will give us his views on the event. in a few moments we will take you to the princeton observatory at princeton, new jersey. we return you until then to the music of ramón raquello and his orchestra. the passage is from the transcript of the radio adaptation of the war of the worlds by h. g. wells. instead of including expert interviews, h. g. wells uses a narrator to tell about an alien invasion that occurred a few years earlier. by including expert interviews, how does the radio broadcast change the story most effectively? o.a. it puts the story in the past tense, increasing its personal tone. o o b. it makes the broadcast sound more like a fictional story. o o c. it makes the broadcast sound like a news report. o d. it makes the story sound less believable by changing who presents the story's details.