The name for the thesis or personal stance on an argument is the main claim secondary claim supporting claim evidential claim 2. is the majority of the piece and the support that backs up the thesis. the data the claim the evidence the conclusion 3. what is supposed to convince the reader that the writer has proved his/her point? the thesis the conclusion the introduction the body paragraphs

1. Main claim.

2.The evidence

3.The conclusions

Explanation:

The main claim is the thesis of the whole argument, for example if you say that videogames do not have something to do with violence in teenagers, that is your main thesis, the majority of the piece that supports the thesis is evidence and you could use studies of how the majority of kids that play video games do not have conduct problems at school, finally the conclusions should convice the audience by providing the audience with a little summary of the facts and data that support your thesis.

what

explanation:

awnser:

the thousand and one nights – or, as i prefer to call them in the following forpurely practical reasons: the arabian nights – as we perceive them three hundredyears after antoine galland’s epochal french adaptation bear a distinct arabicimprint. meanwhile, the commonly accepted model for their textual historyacknowledges various stages in the conceptualization and effective formation ofboth the collection’s characteristic frame story and the embedded repertoire. thevast majority of tales in the preserved manuscripts of the nights has beenintegrated into the collection during two periods of arabic influence, the so-calledbaghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages arepreceded by an iranian version, probably dating to pre-islamic times, which in itsturn profits from both structural devices and narrative contents originating fromindian tradition. considering the eminent position that iran and iranian culturehold in the early stages of the textual history of the arabian nights, surprisinglyfew details are known concerning the collection’s relation to and its actualposition within the iranian cultural context. in the following, i will discuss linksbetween the arabian nights and iranian culture on several levels. in surveyingthese links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabiannights in modern iran