The thousand injuries of fortunato i had borne as i best could, but when he ventured upon insult, i vowed revenge. you, who so well know the nature of my soul, will not suppose, however, that i gave utterance to a threat. at length i would be avenged; this was a point definitively settled -- but the very definitiveness with which it was resolved precluded the idea of risk. i must not only punish, but punish with impunity. a wrong is unredressed when retribution overtakes its redresser. it is equally unredressed when the avenger fails to make himself felt as such to him who has done the wrong. it must be understood that neither by word nor deed had i given fortunato cause to doubt my good will. i continued as was my wont, to smile in his face, and he did not perceive that my smile now was at the thought of his immolation.

Announcer two: ladies and gentlemen, following on the news given in our bulletin a moment ago, the government meteorological bureau has requested the large observatories of the country to keep an astronomical watch on any further disturbances occurring on the planet mars. due to the unusual nature of this occurrence, we have arranged an interview with noted astronomer professor pierson, who will give us his views on the event. in a few moments we will take you to the princeton observatory at princeton, new jersey. we return you until then to the music of ramón raquello and his orchestra. the passage is from the transcript of the radio adaptation of the war of the worlds by h. g. wells. instead of including expert interviews, h. g. wells uses a narrator to tell about an alien invasion that occurred a few years earlier. by including expert interviews, how does the radio broadcast change the story most effectively? o.a. it puts the story in the past tense, increasing its personal tone. o o b. it makes the broadcast sound more like a fictional story. o o c. it makes the broadcast sound like a news report. o d. it makes the story sound less believable by changing who presents the story's details.