Read the excerpts from sir gawain and the green knight. match the correct trait or stanza pattern to the excerpt that uses it. and the bright green belt on his body he bore, oblique, like a baldric, bound at his side, below his left shoulder, laced in a knot, in betokening of the blame he had borne for his fault. where is now your arrogance and your awesome deeds, your valor and your victories and your vaunting words? now are the revel and renown of the round table overwhelmed with a word of one man's speech, and through the wiles of a woman be wooed into sorrow, for so was adam by one, when the world began, and solomon by many more, and samson the mighty-- delilah was his doom, and david thereafter was beguiled by bathsheba, and bore much distress; wherefore the better man i, by all odds, must be. said gawain, "strike once more; i shall neither flinch nor flee; but if my head falls to the floor there is no mending me! ” pair with sarcasam bob and wheel allusion similie

Sarcasm is a taunting statement that usually says one thing while meaning the opposite. It aims to ridicule or bitterly criticize the object. Here, it appears in the B stanza ("Where is now your arrogance..."). By asking about arrogance, awesome deeds, valor and victories, the speaker actually denies all of those in a very deprecating way.

Bob and wheel is a rhythmical device made famous by the poem "Sir Gawain and the Green Knight". It consists of two lines: the first one is extremely short (usually two syllables), and it's called "bob"; the second is longer and may have an internal rhyme. Here, the D stanza uses this device: "must be" is bob, and the following line is the wheel.

Allusion is a reference to a famous person or event, usually from mythology or history, or classical literature. Here, the C stanza employs a lot of allusions to Biblical figures of Adam, Solomon, Samson, Delilah, David, Bathsheba. Allusions are never explained, as the writer presumes that the reader is already familiar with them.

Simile is a figure of speech that compares one person, thing, or phenomenon to another, with or without conjunctions such as "as" or "like". It usually compares particular to abstract and vice versa. Here, the A stanza employs a simile ("Oblique, like a baldric").

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