Read this excerpt from what maisie knew by henry james and answer the question that follows. thus from the first maisie not only felt it, but knew she felt it. a part of it was the consequence of her father's telling her he felt it too, and telling moddle, in her presence, that she must make a point of driving that home. she was familiar, at the age of six, with the fact that everything had been changed on her account, everything ordered to enable him to give himself up to her. she was to remember always the words in which moddle impressed upon her that he did so give himself: "your papa wishes you never to forget, you know, that he has been dreadfully put about." if the skin on moddle's face had to maisie the air of being unduly, almost painfully, stretched, it never presented that appearance so much as when she uttered, as she often had occasion to utter, such words. the child wondered if they didn't make it hurt more than usual; but it was only after some time that she was able to attach to the picture of her father's sufferings, and more particularly to her nurse's manner about them, the meaning for which these things had waited. identify the type of narration used in the excerpt. which words in the excerpt indicate the type of narration? what is the effect of this point of view on the reader’s interpretation of the information presented?

Danny went for a long bike ride he covered at least forty miles

"the children's hour" by henry wadsworth longfellow between the dark and the daylight, when the night is beginning to lower, comes a pause in the day's occupations, that is known as the children's hour. i hear in the chamber above me the patter of little feet, the sound of a door that is opened, and voices soft and sweet. from my study i see in the lamplight, descending the broad hall stair, grave alice, and laughing allegra, and edith with golden hair. a whisper, and then a silence: yet i know by their merry eyes they are plotting and planning together to take me by surprise. a sudden rush from the stairway, a sudden raid from the hall! by three doors left unguarded they enter my castle wall! they climb up into my turret o'er the arms and back of my chair; if i try to escape, they surround me; they seem to be everywhere. they almost devour me with kisses, their arms about me entwine, till i think of the bishop of bingen in his mouse-tower on the rhine! do you think, o blue-eyed banditti, because you have scaled the wall, such an old mustache as i am is not a match for you all! i have you fast in my fortress, and will not let you depart, but put you down into the dungeon in the round-tower of my heart. and there will i keep you forever, yes, forever and a day, till the walls shall crumble to ruin, and moulder in dust away! which literary device does longfellow use most frequently in the poem? a. simile b. metaphor c. repetition d. personification

Which if the following can you infer about maggie?