Read the excerpt from the beginning of Chapter 5 of Little Women, by Louisa May Alcott. "What in the world are you going to do now, Jo?" asked Meg one snowy
afternoon, as her sister came stomping through the hall, in rubber
boots, old sack, and hood, with a broom in one hand and a shovel in the
other.

"Going out for exercise," answered Jo with a mischievous twinkle in her
eyes.

"I should think two long walks this morning would have been enough!
It's cold and dull out, and I advise you to stay warm and dry by the
fire, as I do," said Meg with a shiver.

"Never take advice! Can't keep still all day, and not being a
wus, I don't like to doze by the fire. I like adventures, and I'm
going to find some."

Which best explains why Alcott begins the chapter with one character asking another character a question?
to develop one character in more detail than another
to help the reader visualize the characters’ appearances
to stimulate the reader’s desire to understand a character’s motives
to establish the setting for the characters’ conversation.

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"the children's hour" by henry wadsworth longfellow between the dark and the daylight, when the night is beginning to lower, comes a pause in the day's occupations, that is known as the children's hour. i hear in the chamber above me the patter of little feet, the sound of a door that is opened, and voices soft and sweet. from my study i see in the lamplight, descending the broad hall stair, grave alice, and laughing allegra, and edith with golden hair. a whisper, and then a silence: yet i know by their merry eyes they are plotting and planning together to take me by surprise. a sudden rush from the stairway, a sudden raid from the hall! by three doors left unguarded they enter my castle wall! they climb up into my turret o'er the arms and back of my chair; if i try to escape, they surround me; they seem to be everywhere. they almost devour me with kisses, their arms about me entwine, till i think of the bishop of bingen in his mouse-tower on the rhine! do you think, o blue-eyed banditti, because you have scaled the wall, such an old mustache as i am is not a match for you all! i have you fast in my fortress, and will not let you depart, but put you down into the dungeon in the round-tower of my heart. and there will i keep you forever, yes, forever and a day, till the walls shall crumble to ruin, and moulder in dust away! which literary device does longfellow use most frequently in the poem? a. simile b. metaphor c. repetition d. personification