How do the two examples differ in their approach to similar subject matter? O A. Example 1 helps the reader understand how Boone's slide fits into the game's larger context, while Example 2 uses emotionally
charged language to better convey the impact of the win.

B. The personal angle of Example 2 helps show the author as a
passionate fan of Miners baseball, while Example 1 offers a step-
by-step understanding of how the Miners emerged victorious.

c. Example 2 objectively presents the key events of the game without
much emotion, while Example 1 helps the reader better connect
emotionally to the excitement of the Miners' victory

D. Example 1 presents the reader with one of the game's key events,
while Example 2 is more objective and offers information such as
ticket prices and the location of the stadium.

a lot

explanation:

i have read the novel roll of thunder hear my cry by mildred d. taylor.

1. this isn't like any other story i've read or watched because it is about a black family in mississippi right after slavery in the u.s. had become illegal. most of the novels i have read were about slavery. another point is that the author of the novel used symbolism in a way i haven't seen before. for example she uses thunder as something negative meaning something bad will happen. but by the end of the novel, she made thunder a good thing.

2.   one character that changed during the novel was stacey. stacey is the eldest child of the black logan family. around the begging of the novel stacey was avoiding the white boy jeremy simms. he had a dislike for jeremy's family. but at the end of the novel stacey began to like jeremy.

3. the author starts the novel with the problem that the children of the logan family have to avoid the white kid school bus while walking to school.

the publisher is the publishing date is the author is

united states of america . . 1942 . . t. s. eliot

houghton mifflin company . . 2002 . . gregory stock

houghton mifflin company . . 1942 . . t. s. eliot

houghton mifflin company . . 2002 . . robert overholtzer