20. TRACK SHOT WITH STEVE20. As he walks over to the car, gets in it, turns the key. 21. DIFFERENT ANGLE â€" LOOKING21. THROUGH THE OPEN DOOR Beyond it we see the crowd watching him from the other side. Steve starts the engine. It turns over sluggishly and then just stops dead. He tries it again and this time he can't get it to turn over. Then very slowly and reflectively he turns the key back to "off" and then slowly gets out of the car. 22. GROUP SHOT22. As they stare at Steve. He stands for a moment by the car then walks toward the group. STEVE I don't understand it. It was working fine before â€" DON Out of gas? STEVE (shakes his head) I just had it filled up. WOMAN ONE What’s it mean? â€"The Monsters Are Due on Maple Street, Rod Serling Write two to three sentences explaining what readers should visualize as they read this part of the scene.

As for this city's government, i don't want to say much, except that it is a shame – a shame; but if i should live twenty-five years longer – and there is no reason why i shouldn't – i think i'll see women handle the ballot. which quotation correctly uses ellipsis to shorten twain’s words? as for this city's government, i don't want to say much, except that it is a shame . . a shame; but if i should live twenty-five years longer – and there is no reason why i shouldn't . . i think i'll see women handle the ballot. as for this city's government, i don't want to say much, except that it is a shame – a shame; but if i should live twenty-five years longer . . i shouldn't – i think i'll see women handle the ballot. as for this city's government, i don't want to say much, except that it is a shame – a shame; but if i should live twenty-five years longer – and there is no reason why i shouldn't . . as for this city's government, i don't want to say much, except that it is a shame – a shame; but if i should live twenty-five years longer . . i think i'll see women handle the ballot.