Add the correct end punctuation, commas, and quotation marks where needed in these sentences. 1) How nicely you played exclaimed Sandy to Christi after the recital

2) Christi smiled and asked Would you like to know my secret and try it yourself

3) I certainly would commented Sandy expectantly

4) Practice as Mr. Bach requires his students to practice replied Christi confidently

j

youb

explanation:

maybe you i don'=€8££9¥€ģģmkķğřýff*€£€8£₩€¥€£€9₩₩€¥€¥£$♤■●□●■♡> ●♡♢¤◆○■♤◆●|♤◇●■♡《《》♢■●♡■○□♧■《

♢⛲

basic principle: a pronoun usually refers to something earlier in the text (its antecedent) and must agree in number — singular/plural — with the thing to which it refers. the indefinite pronouns anyone, anybody, everyone, everybody, someone, somebody, no one, and nobody are always singular.

awnser:

the thousand and one nights – or, as i prefer to call them in the following forpurely practical reasons: the arabian nights – as we perceive them three hundredyears after antoine galland’s epochal french adaptation bear a distinct arabicimprint. meanwhile, the commonly accepted model for their textual historyacknowledges various stages in the conceptualization and effective formation ofboth the collection’s characteristic frame story and the embedded repertoire. thevast majority of tales in the preserved manuscripts of the nights has beenintegrated into the collection during two periods of arabic influence, the so-calledbaghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages arepreceded by an iranian version, probably dating to pre-islamic times, which in itsturn profits from both structural devices and narrative contents originating fromindian tradition. considering the eminent position that iran and iranian culturehold in the early stages of the textual history of the arabian nights, surprisinglyfew details are known concerning the collection’s relation to and its actualposition within the iranian cultural context. in the following, i will discuss linksbetween the arabian nights and iranian culture on several levels. in surveyingthese links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabiannights in modern iran