32. Choose the word or phrase that best fits the blank space (32) in the following passage. For centuries, Vietnamese Ao Dai has appeared in poetry, literature ___ (27) music. The traditional dress called Ao Dai is long silk tunic that is slit on the sides and ___ (28) over loose pants. Vietnamese women usually wear it, especially on special occasions. Fashion designers have gradually changed the original Ao Dai. They have taken the ___ (29) __from Vietnam’s ethnic minorities. Suns, stars, crosses, and stripes have been added to Ao Dai. Lines of poetry are printed __ (30) ___the Ao Dai. Ao Dai looks very stylish nowadays, so Vietnamese women continue ___ (31) this unique dress though modern clothing is ___ (32) ___ convenient.

the answer is mary made mudpies on monday.

remember alliteration is the occurrence of the same letter or sound at the beginning of adjacent or closely connected words.  

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the answer is c) !

awnser:

the thousand and one nights – or, as i prefer to call them in the following forpurely practical reasons: the arabian nights – as we perceive them three hundredyears after antoine galland’s epochal french adaptation bear a distinct arabicimprint. meanwhile, the commonly accepted model for their textual historyacknowledges various stages in the conceptualization and effective formation ofboth the collection’s characteristic frame story and the embedded repertoire. thevast majority of tales in the preserved manuscripts of the nights has beenintegrated into the collection during two periods of arabic influence, the so-calledbaghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages arepreceded by an iranian version, probably dating to pre-islamic times, which in itsturn profits from both structural devices and narrative contents originating fromindian tradition. considering the eminent position that iran and iranian culturehold in the early stages of the textual history of the arabian nights, surprisinglyfew details are known concerning the collection’s relation to and its actualposition within the iranian cultural context. in the following, i will discuss linksbetween the arabian nights and iranian culture on several levels. in surveyingthese links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabiannights in modern iran