Twain tries to steer the boat for the first time(lines 23-38); Twain fails to show up for his first night watch (lines 51-71); Twain learns that he has to learn the entire river by heart (lines 75-112)?

Hello. Although you haven't referenced a text, you haven't submitted any questions about them. This makes it impossible for me to provide any answers. However, I will try to help you as best I can by explaining what these references mean.

All references shown can be found in "Life on the Mississippi" written by Mark Twain. In this book, Twain presents his experiences when he was being trained to become a steamboat captain when he was 21 years old. In all the references presented above, we can see how Twain mocked himself and joked about his own intellectual capacity.

When he tries to drive the boat for the first time, he is very impressed, but finds his ability ridiculous.

When he doesn't show up for the first night watch, he starts to mock his ability to be responsible and makes a lot of self-deprecating jokes.

When he finds out that he will need to learn  the entire river, he also makes self-deprecating jokes and scoffs at the whole situation.

the answer is: round.

in literature, round characters are considerably complex and experience or are subjected to unpleasant situations. as a consequence, they go through crucial sentimental and psychological development, which can cause surprise in the readers. in this case, juan's dramatic transformation is related to the adversities he meets at school.

answer:   a good wench, give it me.

iago

good girl, give it to me.

emilia

what will you do with ’t, that you have been so earnest

325to have me filch it?

emilia

and what are you going to do with it? why did you want it so much that you begged me to steal it?

iago

  why, what is that to you?

iago

what’s it to you?

emilia

if it be not for some purpose of import,

give ’t me again. poor lady, she’ll run mad

when she shall lack it.

emilia

if you don’t need it for some important reason, then give it back to me. poor lady, she’ll go crazy when she sees it’s missing.

iago

be not acknown on ’t,

330i have use for it. go, leave me.

iago

don’t admit to knowing anything about it. i need it. now go, leave me.

exit emilia

emilia exits.

i will in cassio’s lodging lose this napkin

and let him find it. trifles light as air

are to the jealous confirmations strong

as proofs of holy writ. this may do something.

335the moor already changes with my poison.

dangerous conceits are in their natures poisons

which at the first are scarce found to distaste,

but with a little act upon the blood

burn like the mines of sulfur.

i’ll leave this handkerchief at cassio’s house and let him find it.to a jealous man, a meaningless little thing like this looks like absolute proof. this handkerchief may be useful to me. the moor’s mind has already become infected with my poisonous suggestions. ideas can be like poisons. at first they hardly even taste bad, but once they get into your blood they start burning like hot lava.

enter othello

othello enters.

    i did say so.

340look, where he comes. not poppy nor mandragora

nor all the drowsy syrups of the world,

shall ever medicine thee to that sweet sleep

which thou owedst yesterday.

here he comes. no drugs or sleeping pills will ever give you the restful sleep that you had last night.

othello

    ha! ha! false to me?

othello

argh! she’s cheating on me?

iago

why, how now, general? no more of that.

iago

oh, general, , no more of that!

explanation: