20 POINTS AND BRAINLIEST IF YOU ANSWER Public speaking is like any skill. The more you do it, the better you get at it. Here is the only advice you need: Make eye contact with your listeners. Even if you’re nervous, nobody will know. If your audience sees you looking at them, they’ll look back and connect with you.

Write a claim based on your reading of "Grief Along the Reef." Support your claim with at least two pieces of evidence. Present your information before a class, group, or upload a video of your presentation.

last time my question got deleted (the link i guess???) you don't have to do the presntaion thing i just need words.

(NOT A BAD LINKK OR WHATEVER I GOT REPORTED FOR)
https://media-release. glynlyon. com/o_rla07_ccss_2016/4/l17_grief_r eef. pdf

My claim would be that the Corals that are all over the world, are slowly going extinct. There is a multitude of reasons why to think this, all of which are supported by the text "Grief Along the Reef". As is noted on the fourth paragraph of "Greif Along the Reef", zit quotes "Over the last 10 years, 25 percent of the world's corals have disappeared due to climate change, disease, pollution, commercial harvesting." As I said before, coral has been on a decline due to either natural or human cause. As stated in the text " Today, 75 percent of all reefs are threatened by a combination of local and global threats. Hurricanes, boat groundings, and dragging anchors can all kill coral."

the correct answer is "tan believes that nonstandard english can make family communication difficult". raising children across cultures can sometimes be challenging, especially when the values and expectations are from different cultures. this can make it difficult to feel a sense of belonging to any community.

awnser:

the thousand and one nights – or, as i prefer to call them in the following forpurely practical reasons: the arabian nights – as we perceive them three hundredyears after antoine galland’s epochal french adaptation bear a distinct arabicimprint. meanwhile, the commonly accepted model for their textual historyacknowledges various stages in the conceptualization and effective formation ofboth the collection’s characteristic frame story and the embedded repertoire. thevast majority of tales in the preserved manuscripts of the nights has beenintegrated into the collection during two periods of arabic influence, the so-calledbaghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages arepreceded by an iranian version, probably dating to pre-islamic times, which in itsturn profits from both structural devices and narrative contents originating fromindian tradition. considering the eminent position that iran and iranian culturehold in the early stages of the textual history of the arabian nights, surprisinglyfew details are known concerning the collection’s relation to and its actualposition within the iranian cultural context. in the following, i will discuss linksbetween the arabian nights and iranian culture on several levels. in surveyingthese links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabiannights in modern iran