Which example is the correct citation for a book? A.
Rothbart, Davy. "How I Caught Up with Dad." Men's Health Oct. 2008: 108-13. Print.
B.
Sutter, J. D. (2010, March 31). Why Internet Connections Are Fastest in South Korea. CNN Tech. Retrieved from http://cnn. com
C.
Austen, Jane. Pride and Prejudice. New York: Modern Library, 1995. Print.
D.
Bowman, Lee. "Bills Target Lake Erie Mussels." The Pittsburgh Press, March 7, 1990.

C. Austen, Jane. Pride and Prejudice. New York: Modern Library, 1995. Print.

Explanation:

Plagiarism can be defined as the act of representing or using an author's work, ideas, thoughts, language, or expressions without their consent, acknowledgement or authorization.

This ultimately implies that, plagiarism is an illegal act of presenting another author's intellectual work or copyrighted items by using their ideas, thoughts, language or expressions, word for word without authorization or permission from the original author.

Improper citation is a form of plagiarism that involves an author failing to provide an in-text reference or citation of the original author appropriately.

Citations are references or links to all of the sources from which an author, writer, or researcher got his or her information from. The two types of citation are;

I. Works-cited list: it is the same thing as a reference and are placed at the end of a literary work.

II. In-text citations: they are inserted into the body of a literary work i.e within the body of the texts using parenthesis.

Hence, the correct example of citation for a book is, Austen, Jane. Pride and Prejudice. New York: Modern Library, 1995. Print.

awnser:

the thousand and one nights – or, as i prefer to call them in the following forpurely practical reasons: the arabian nights – as we perceive them three hundredyears after antoine galland’s epochal french adaptation bear a distinct arabicimprint. meanwhile, the commonly accepted model for their textual historyacknowledges various stages in the conceptualization and effective formation ofboth the collection’s characteristic frame story and the embedded repertoire. thevast majority of tales in the preserved manuscripts of the nights has beenintegrated into the collection during two periods of arabic influence, the so-calledbaghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages arepreceded by an iranian version, probably dating to pre-islamic times, which in itsturn profits from both structural devices and narrative contents originating fromindian tradition. considering the eminent position that iran and iranian culturehold in the early stages of the textual history of the arabian nights, surprisinglyfew details are known concerning the collection’s relation to and its actualposition within the iranian cultural context. in the following, i will discuss linksbetween the arabian nights and iranian culture on several levels. in surveyingthese links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabiannights in modern iran

what kind of material was the stuffing?