PLEASE HELP Imagine you have been falsely accused of a crime (you decide with what you have been charged). In a WELL-WRITTEN paragraph, describe your trial using at least EIGHT of following vocabulary words correctly.

1. Abstain

2. Verdict

3. Reasonable doubt

4. Unanimous

5. Acquittal

6. Motive

7. Defense

8. Prosecution

9. Testimony

10. Premeditated

each year on this day, i make it a point to listen to dr. martin luther king jr.’s great “i have a dream” speech. it’s electrifying every single time.

the content of dr. king’s speech, his inspiring presence, and the moment in history all came together to make the iconic “i have a dream” speech the defining moment of the american civil rights movement. but there are several other reasons why this speech, delivered over 50 years ago, remains an example of one of the best speeches in american history.

since part of my job is to people become better presenters, i’ve noticed several techniques that we can all learn from and be inspired by in this magnificent speech.

it’s anchored in a powerful related location

in most cases, you can’t handpick the spot to give a presentation, as mlk did for supreme symbolic effect when he stood on the steps of the lincoln memorial and echoed the opening words of the gettysburg address (“five score years ago . . ). but you absolutely can amplify your message by adapting it to your setting and location.

explanation:

dear evan hansen is a stage musical with music and lyrics by benj pasek and justin paul, and book by steven levenson.

the musical opened on broadway at the music box theatre in december 2016, after its world premiere at the arena stage in washington, d.c., in july 2015 and an off-broadway production at second stage theatre from march to may 2016.

at the 71st tony awards, it was nominated for nine awards, winning six, including best musical, best score, best actor in a musical for ben platt, and best featured actress in a musical for rachel bay jones.

word count 168

serve the people! ,” smoothly translated by julia lovell, offers an initial sample of yan lianke’s writing to an english-speaking audience. a bluntly drawn, mildly erotic fable, it teases mao zedong by poking fun at a true believer who obeys the chairman’s precepts too literally. to a western sensibility, the broad strokes of yan lianke’s humor would seem to pose little risk of inciting rebellion, whether of the flesh or of the body politic. but then, part of the book’s attraction is that it doesn’t have a western sensibility. it lets the reader see — or rather, intuit — what jokes chinese officials don’t consider funny, and how very little it takes for a writer to be branded an incendiary in 21st-century china, more than three decades after the death of mao, a decade after the death of deng xiaoping and seven years since china entered the world trade organization, a move that would seem to signal a willingness (however wary) to mingle with the rest of the world.