REMOTE The Crucible Escape Room Challenge #1: Character Identification
Identify each character. Your code is formed by the letter of their name [indicated in brackets]. Letters should be in order, IN CAPS.

1. Accusing his neighbors for their land [first letter of last name]

2. Quits the court at the end of Act 3 [last letter of last name]

3. The first to get symptoms after dancing in the woods [first letter of first name]

4. More worried about reputation than his daughter’s health [first letter of last name]

5. The first to confess to witchcraft [first letter of name]

6. Pressed to death with these last words: “More weight” [first letter of first name]

7. Lies to save her husband’s good name [first letter of first name]

8. Stubborn Salem judge [first letter of last name]

9. Turns on Proctor when scared of Abby [first letter of last name]

10. Signs a confession, but rips it up [first letter of first name]

11. Deputy governor who is blinded by Abigail’s fraud [first letter of last name]

12. Accused of witchcraft for the “supernatural murder of Goody Putnam’s babies” [first letter of first name]

13. Runs away to escape consequences of the conflict she causes [first letter of first name]
CODE: *

Tom’s testimony has the effect of making scout feel sympathetic towards both tom and mayella. explain why she is sympathetic towards each of them.

Is a psychological tool in which a person creates a detailed mental picture of an event. select the choice that best answers the question. a. stereotyping b. imaging c. visualization d. mentoring

Read the excerpt from act 1 of a doll's house. helmer: nora! [goes up to her and takes her playfully by the ear.] the same little featherhead! suppose, now, that i borrowed fifty pounds today, and you spent it all in the christmas week, and then on new year's eve a slate fell on my head and killed me, and— nora: [putting her hands over his mouth]. oh! don't say such horrid things. helmer: still, suppose that happened, —what then? nora: if that were to happen, i don't suppose i should care whether i owed money or not. helmer: yes, but what about the people who had lent it? nora: they? who would bother about them? i should not know who they were. helmer: that is like a woman! but seriously, nora, you know what i think about that. no debt, no borrowing. there can be no freedom or beauty about a home life that depends on borrowing and debt. we two have kept bravely on the straight road so far, and we will go on the same way for the short time longer that there need be any struggle. nora: [moving towards the stove]. as you , torvald. how does the interaction between helmer and nora advance the plot? nora realizes that helmer will completely disapprove of her having borrowed money, so she has to continue to keep it a secret from him. nora realizes that she and helmer have the same ideas about financial issues, and the conversation brings them closer together later in the play. helmer realizes that nora is more responsible with money than he originally thought, and he trusts her more with finances later in the play. nora realizes that helmer knows a lot more about borrowing and lending, and she will seek his input later when she needs it.