Match each event from a story with the correct element of plot. exposition
rising action
climax
falling action
resolution
Mary spent the rest of the evening receiving wonderful gifts,
cutting the cake, and dancing to music with her friends.
Her family members told her how much they loved her.
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At school, Mary was disappointed when not one friend
remembered that it was her birthday. She felt like crying
and went to the park to be by herself for a while.
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It was Mary's 14th birthday, and she was very excited as she
got dressed to head out to school. She was surprised when no one
from her family wished her a happy birthday during breakfast.
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Mary knew that this was the best birthday that she had ever
experienced. She had the most amazing set of friends and family.
At the end of the day, Mary went to sleep with a big smile on her face.
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When she returned home, everything was very quiet and dark.
It confused Mary. She called out to her mother. All of a sudden
the lights blinked on and Mary's friends and family shouted "Surprise!"
Mary was shocked and delighted.
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its definitely second person : )

explanation:

i believe the answer is perspective

awnser:

the thousand and one nights – or, as i prefer to call them in the following forpurely practical reasons: the arabian nights – as we perceive them three hundredyears after antoine galland’s epochal french adaptation bear a distinct arabicimprint. meanwhile, the commonly accepted model for their textual historyacknowledges various stages in the conceptualization and effective formation ofboth the collection’s characteristic frame story and the embedded repertoire. thevast majority of tales in the preserved manuscripts of the nights has beenintegrated into the collection during two periods of arabic influence, the so-calledbaghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages arepreceded by an iranian version, probably dating to pre-islamic times, which in itsturn profits from both structural devices and narrative contents originating fromindian tradition. considering the eminent position that iran and iranian culturehold in the early stages of the textual history of the arabian nights, surprisinglyfew details are known concerning the collection’s relation to and its actualposition within the iranian cultural context. in the following, i will discuss linksbetween the arabian nights and iranian culture on several levels. in surveyingthese links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabiannights in modern iran