Read the excerpt from the poem "A Beautiful View": Beyond lies the Great Lawn—its fame known worldwide
For concerts and picnics and places to bide.
The Delacorte Theatre brings plays to life.
The characters' voices ring out, full of strife.

If visitors turn south, they'll see quite the scene:
A vast landscape of rocks, trails, and trees so green.
Wherever the visitors choose to explore,
The Belvedere Castle shows there's always more.

How do the stanzas work together to develop the poem?

The stanzas show different views beyond the Great Lawn before returning to Belvedere Castle.
The stanzas show that visitors can hear Shakespeare plays for free at the theatre.
The stanzas show the few activities available at Belvedere Castle before visitors need to leave.
The stanzas show the pros and cons to walking in different areas of Central Park.

the examples that saki used to represent satire through situational irony are options two (2) and five (5) inasmuch as the wolf thought that looking for a girl in the bushes could be as easy as hunting little pigs at the park, but it took him so much time to find the girl if it had not been not for a silly mistake. also, bertha would have survived to the wolf's hunt if she had not won those medals for goodness, which at the end they were what got her killed by making noise, so winning medals of goodness was not so good achievement, after all.

your company is bidding on a project for the entertainment industry. you know that you need new ideas on and how to put together the proposal as well as communicate your approach in a way that will impress the customer.

1

abominable dr. phibes

1: 42

2

american psycho

2: 07

3

speak of the devil

1: 48

4

walk among us

1: 23

5

the hunger

1: 43

6

from hell they came

7

dig up her bones

3: 02

8

blacklight

1: 28

9

resurrection

1: 30

10

dead kings rise

3: 05

11

this island earth

2: 15

12

crimson ghost

2: 01

13

day of the dead

1: 50

14

the haunting

1: 26

15

mars attacks

2: 28

16

hate the living, love the dead

1: 37

17

shining

3: 00

18

don’t open ’til doomsday / hellnight

7: 58