Hamlet wants to avenge his father's murder. however, his indecision prevents him from taking action. which of these excerpts from act iv mark the turning point of shakespeare's tragedy? contagion to this world. now could i drink hot blood, and do such bitter business as the day would quake to look on. (hamlet, act iv, scene iii ) o heavens, die two months ago, and not forgotten yet? then there's hope a great man's memory may outlive his life half a year: but, by'r lady, he must build churches then; (hamlet, act iv, scene ii ) now might i do it pat, now he is praying; and now i'll do't—and so he goes to heaven, and so am i reveng'd. that would be scann'd: a villain kills my father; and for that i, his sole son, do this same villain send to heaven o, this is hire and salary, not revenge. (hamlet, act iv, scene iii) o, it offends me to the soul, to hear a robustious periwig-pated fellow tear a passion to tatters, to very rags, to split the ears of the groundlings, who, for the most part, are capable of nothing but inexplicable dumb shows and noise. i would have such a fellow whipped for o'erdoing termagant; it out-herods herod: pray you avoid it. (hamlet, act iv, scene ii)

How can construction development negatively affect soil

Which of the following best explains why the author chose the compare-and-contrast structure for paragraph 2

Read the excerpt from act 1 of a doll's house. helmer: nora! [goes up to her and takes her playfully by the ear.] the same little featherhead! suppose, now, that i borrowed fifty pounds today, and you spent it all in the christmas week, and then on new year's eve a slate fell on my head and killed me, and— nora: [putting her hands over his mouth]. oh! don't say such horrid things. helmer: still, suppose that happened, —what then? nora: if that were to happen, i don't suppose i should care whether i owed money or not. helmer: yes, but what about the people who had lent it? nora: they? who would bother about them? i should not know who they were. helmer: that is like a woman! but seriously, nora, you know what i think about that. no debt, no borrowing. there can be no freedom or beauty about a home life that depends on borrowing and debt. we two have kept bravely on the straight road so far, and we will go on the same way for the short time longer that there need be any struggle. nora: [moving towards the stove]. as you , torvald. how does the interaction between helmer and nora advance the plot? nora realizes that helmer will completely disapprove of her having borrowed money, so she has to continue to keep it a secret from him. nora realizes that she and helmer have the same ideas about financial issues, and the conversation brings them closer together later in the play. helmer realizes that nora is more responsible with money than he originally thought, and he trusts her more with finances later in the play. nora realizes that helmer knows a lot more about borrowing and lending, and she will seek his input later when she needs it.