Select one piece of evidence that supports the situational irony of the poem.

antique land
who said
wrinkled lip
half sunk

the poem:
i met a traveller from an antique land
who said: two vast and trunkless legs of stone
stand in the desert near them, on the sand,
half sunk, a shattered visage [face] lies, whose frown,
and wrinkled lip, and sneer of cold command,
tell that its sculptor well those passions read
which still survive, stamped on these lifeless things,
the hand that mocked them, and the heart that fed;
and on the pedestal these words appear:
"my name is ozymandias, king of kings:
look on my works, ye mighty, and despair! "
nothing beside remains. round the decay
of that colossal wreck, boundless and bare
the lone and level sands stretch far away.

Which lines in this excerpt from act ii of william shakespeare’s romeo and juliet reveal that mercutio thinks romeo would be better off if he stopped thinking about love? mercutio: i will bite thee by the ear for that jest. romeo: nay, good goose, bite not. mercutio: thy wit is a very bitter sweeting it is a most sharp sauce. romeo: and is it not well served in to a sweet goose? mercutio: o here's a wit of cheveril, that stretches from an inch narrow to an ell broad! romeo: i stretch it out for that word 'broad; ' which added to the goose, proves thee far and wide a broad goose. mercutio: why, is not this better now than groaning for love? now art thou sociable, now art thou romeo; now art thou what thou art, by art as well as by nature: for this drivelling love is like a great natural, that runs lolling up and down to hide his bauble in a hole. benvolio: stop there, stop there. mercutio: thou desirest me to stop in my tale against the hair. benvolio: thou wouldst else have made thy tale large. mercutio: o, thou art deceived; i would have made it short: for i was come to the whole depth of my tale; and meant, indeed, to occupy the argument no longer.