Excerpt from: norse mythology part a kate mcconnaughey (8) tuesday means the day of tiew; wednesday, the day of woden; thursday, the day of thor; and friday, the day of frija. read the passage. look at the underlined section marked number 8. there may be a mistake in the way the sentence is written. if you find a mistake, choose the answer that corrects the mistake. if there is no mistake, choose ‘correct as is.’ a) correct as is. b) tuesday means the day of tiew. wednesday, the day of woden. thursday, the day of thor, and friday, the day of frija. c) tuesday means the day of tiew; wednesday, the day of woden; thursday, has come to mean the day of thor; and friday, the day of frija. d) tuesday means the day of tiew; wednesday, the day of woden; thursday, has come to mean the day of thor; and friday, is known as the the day of frija. eliminate

Select the correct answer. which of these lines from “the raven” by edgar allan poe to create the dark and gloomy tone of the poem? a. "'tis some visiter entreating entrance at my chamber door— some late visiter entreating entrance at my chamber door; b. once upon a midnight dreary, while i pondered weak and weary, over many a quaint and curious volume of forgotten lore— c. "and so faintly you came tapping, tapping at my chamber door, that i scarce was sure i heard you"—here i opened wide the door— d. bird or beast above the sculptured bust above his chamber door, with such name as "nevermore." hurry

Identify what is wrong with each italicized pronoun reference. carolyn sang higher than the other sopranos but she didn't support it properly. placed too far from antecedent no specific antecedent ambiguous reference

At first i was afraid to approach him—then the fear left me. he was sitting looking out over the city—he was dressed in the clothes of the gods. his age was neither young nor old—i could not tell his age. but there was wisdom in his face and great sadness. you could see that he would have not run away. he had sat at his window, watching his city die—then he himself had died. but it is better to lose one's life than one's spirit—and you could see from the face that his spirit had not been lost. i knew, that, if i touched him, he would fall into dust—and yet, there was something unconquered in the face. how does the conflict at the beginning of the paragraph move the plot forward? the narrator realizes that he is scared of the gods. the narrator realizes that he distrusts the spirits the narrator realizes that the god was a man. the narrator realizes that he is powerful like the gods.