A Versatile Filmmaker. Few people would contradict that statement that Buster Keaton was a legendary filmmaker. He started making films when the industry was new. Though he would eventually transfer his career to movies, Keaton was first a stage performer. He knew how to sing, dance, play instruments, perform magic, tumble, and fall. His years of experience taught him what was funny, so Keaton wrote scripts, too. When he arrived in California in 1917, Keaton took apart a camera to see how it worked, and soon he was off and running! By 1928, he had made 31 short movies that audiences loved. He was often called "The Great Stoneface" for good reason–the expression on his face never seemed to change, as if it were made of stone. Buster Keaton was so versatile that he not only performed in his movies but also wrote and directed them. He took responsibility for technical flaws, too. Today, if takes a huge crew to get a movie into production, but Buster Keaton was a crew all by himself. Top right, a portrait of Buster Keaton during filming. Bottom left, a portrait of Buster Keaton and a woman during filming. Write a between the lines question for the text.

based on the biblical principle philippians 4: 13 "i can do everything through christ who strengthens me." i agree that it is through him that we are given the strength to cope with every situation.

and based on the biblical principle proverbs 16: 32 "better to get angry slowly than to be a hero. better to be even-tempered than to capture a city."   i agree with the author of the passage to the extent that the nobility of heart demonstrates the strength of a person. those who are contemptuous, get angry easily and show their anger toward others are really weak, but those who are noble and make sure to not hurt other people and their feelings are strong people.

yes, it can be both.

do you have a copy of the poem?

one thousand and one nights, also known as arabian nights is a collection of stories whose basic structure is that of embedded narrative. this technique refers to a main story which works as the common frame - or framing narrative - for the other stories, and then this series of stories which are connected to the main one. this technique can also be referred to as a story within a story. the stories stem from the original tale, some begin and end on their own, some are connected to the previous or following one, by means of questions that are answered in the subsequent tale, or characters which reappear.