How can personal experiences add to the depth of fictional characters?​

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Explanation:

1. Internal Changes

Do your characters undergo any internal changes throughout the story? Think about their situation at the beginning of the story. Is it the same as it is at the end? It shouldn’t be. They can be worse or better, but the story’s events should have affected them in some way.

2. External Changes

Do the external circumstances surrounding your characters change throughout the story? Just as their personalities suffer variations, their external conditions should as well. For example, one of your characters could be a farmer at the beginning of the story and then become a warrior by the end.

3. Goals

What do your characters want? They should have a conscious desire – something that moves them into action.

4. Wishes

What do your characters need? Regardless of what they think they want, there’s something they need at an unconscious level – something different from what they consciously desire. That contradiction will bring depth to your fictional heroes.

5. Achievements

What do your characters attain? Do they achieve any of their goals? How does that affect them? If you have the answer to the last question, you’ll have a clearer idea of how the story’s events have changed their way of facing life. For instance, if they achieve what they wanted at the beginning of the tale but that’s not what they really need, they can learn from their mistakes and try to correct them. However, they might also give into frustration.

6. Weaknesses

What are their weaknesses? Everybody makes mistakes and has fears and flaws, so if you want your characters to be more believable, they’d better have weak points and see themselves in need of facing them if possible. Your characters overcoming these weaknesses or not depends on the story you want to tell and on the type of evolution you want them to experience.

For example, in the U.S. TV series The Wire (By the way, it’s one of the best series I have watched in terms of characterization, and I highly recommend you watch it!), there are some characters that must face their flaws. Some overcome them and progress while others don’t and fail. The contrast between them is what makes the story more believable.

7. Strengths

What are their strengths? Apart from weaknesses, your characters can have strong points they may or may not know about. Sometimes, they discover them and learn how to make the most of them. Other times, they do not know, and it leads them to failure. You, as a writer, should be clear about those strengths and so should your readers be in order to better understand your characters.

8. Conflicts

What’s your characters’ inner conflicts? I’ve chosen this to be the last question to consider because once you’ve answered the previous seven areas of question, you’ll find this one easier to answer. Every good character must deal with an inner conflict throughout the story such as a mental debate between what they need and what they want or a moral struggle between what they’re trying to attain and what they consider correct. This type of dilemma makes your characters interesting, and their experiences can turn into life lessons for your readers.

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postive, comparative, superlative - good, better, best

recall how we defined nouns as words capable of having plurals and possessive endings. adjectives (and their first cousin, the adverb) also have a feature that distinguishes them. they come in three states. first, the raw adjective—in its positive state—merely describes the noun modified; it doesn’t care about how this particular person or thing stacks up against other members of the same noun class

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