Read the paragraph from "Sixteen" and answer the question. And that was last Thursday. Tonight is Tuesday. Tonight is Tuesday and my homework is done and I darned some stocking that really didn't need it, and I worked a cross-word puzzle and I listened to the radio and now I'm just sitting. I'm just sitting because I can't think of anything else to do. I can't think of anything, anything but snowflakes and ice skates and a yellow moon and Thursday night. The telephone is sitting on the corner table with its old black face turned to the wall. I don't even jump when it rings any more. My heart still prays but my mind just laughs. Outside the night is still—so still I think I'll go crazy. And so I'm sitting here and I'm not feeling anything. I'm not even sad because all of a sudden I know. I can sit here now and forever and laugh and laugh while the tears run salty in the corners of my mouth. For all of a sudden, I know, I know what the stars knew all the time—he will never , never call—never.

Discuss the author's use of phrases and clauses. Begin by identifying the prepositional phrases and any noun, adjective, and adverbial clauses. How do these phrases and clauses add to or detract from the story being told? Then write at least one sentence evaluating how well the author has varied the sentence structure in the paragraph and the structure's impact on the reader. Your answer should be at least 100 words.

onto a large boat, and mark the water level that the boat sinks to. then, take the elephant out and put a bunch of marked weights onto the boat until it reaches the same water level. add up the masses of the weights to get the weight of the elephant.

answer:   a good wench, give it me.

iago

good girl, give it to me.

emilia

what will you do with ’t, that you have been so earnest

325to have me filch it?

emilia

and what are you going to do with it? why did you want it so much that you begged me to steal it?

iago

  why, what is that to you?

iago

what’s it to you?

emilia

if it be not for some purpose of import,

give ’t me again. poor lady, she’ll run mad

when she shall lack it.

emilia

if you don’t need it for some important reason, then give it back to me. poor lady, she’ll go crazy when she sees it’s missing.

iago

be not acknown on ’t,

330i have use for it. go, leave me.

iago

don’t admit to knowing anything about it. i need it. now go, leave me.

exit emilia

emilia exits.

i will in cassio’s lodging lose this napkin

and let him find it. trifles light as air

are to the jealous confirmations strong

as proofs of holy writ. this may do something.

335the moor already changes with my poison.

dangerous conceits are in their natures poisons

which at the first are scarce found to distaste,

but with a little act upon the blood

burn like the mines of sulfur.

i’ll leave this handkerchief at cassio’s house and let him find it.to a jealous man, a meaningless little thing like this looks like absolute proof. this handkerchief may be useful to me. the moor’s mind has already become infected with my poisonous suggestions. ideas can be like poisons. at first they hardly even taste bad, but once they get into your blood they start burning like hot lava.

enter othello

othello enters.

    i did say so.

340look, where he comes. not poppy nor mandragora

nor all the drowsy syrups of the world,

shall ever medicine thee to that sweet sleep

which thou owedst yesterday.

here he comes. no drugs or sleeping pills will ever give you the restful sleep that you had last night.

othello

    ha! ha! false to me?

othello

argh! she’s cheating on me?

iago

why, how now, general? no more of that.

iago

oh, general, , no more of that!

explanation:

that is true because that is something they fulfill for their work.

i cant see the page but i am assuming as a innocent child who got tricked by an children eating old lady