Identify three examples of imagery in Mark Twain's "Cub Pilot on the Mississippi." Then explain how he uses the imagery to help convey a theme that glamorous dreams sometimes turn into harsh realtiies.

Read this excerpt from holes. he had no sailing experience, but the ship’s captain signed him aboard. the captain could see that elya was a man of great strength. not everybody could carry a full-grown pig up the side of a mountain. it wasn’t until the ship had cleared the harbor and was heading out across the atlantic that he suddenly remembered his promise to carry madame zeroni up the mountain. he felt terrible. what information does this flashback provide about elya? a.elya did not intend to break his promise to madame zeroni. b.madame zeroni is very angry and disappointed in elya. c.elya is terribly afraid of madame zeroni’s curse. d.elya does not care what happened to madame zeroni.

Ican’t find this question here can y’all tell me the awnser?

*ill give best answer brainliest*read the excerpt below and answer the question. we did not know, as yet, which was the better side, right or left, which road led to prison and which to the crematoria. still, i was happy, i was near my father. our procession continued slowly to move forward. another inmate came over to us: “satisfied? ” “yes,” someone answered. “poor devils, you are heading for the crematorium.” he seemed to be telling the truth. not far from us, flames, huge flames, were rising from a ditch. something was being burned there. a truck drew close and unloaded its hold: small children. babies! yes, i did see this, with my own eyes . . children thrown into the flames. (is it any wonder that ever since then, sleep tends to elude me? ) so that was where we were going. a little farther on, there was another, larger pit for adults. what is the conflict portrayed in this excerpt from elie wiesel’s night? select all that apply. the external conflict between the nazis and the jews the external conflict between the nazis and the allies the external conflict between wiesel and the inmate the internal conflict between wiesel’s memory of the burning bodies and his desire for peaceful sleep