What happened to American literature after World War I, during the “Roaring Twenties”? a. It became more traditional in form and more religious in its themes.
b. When authors tried to write about the war, readers rejected their ideas.
c. Like society in general, it became less conventional in its approach to morality.
d. Compared to other art forms, it became less interesting to the American public.

d. cassius cannot believe that a weakling like caesar has become so great.

the words "strangest" and "unusual" suggest (:

the price of our current war is high; it costs money and it costs lives.

but it does not cost our pride. it does not cost the guilt that would arise from knowing that we did nothing to intervene while our neighboring nations fell to despotic leaders.

it does not cost the terror of knowing that our allies are unstable. it does not cost the fear that we, too, will be next to fall.

which sentence most accurately explains why the speaker's use of the parallel structure is effective in this passage?

a. it underscores that disagreement will not be tolerated and will be dealt with swiftly.

b. it makes the speaker seem like a decisive and capable leader.

c. it emphasizes reasons to fight and inspires listeners to aid the war effort.

d. it establishes the speaker's credibility by acknowledging the difficulties of war.