Part B Read the following excerpt from "The Brown Chest."
"And this?" she went on, leaving the bed hanging in a realm of future possibility. Her headscarf had slipped back, exposing auburn hair
glinting above the vapor of her breath, in evanescent present time.
She had paused at the chest. Her glance darted at Gordon, and then, receiving no response, at the present owner, looking him in the eyes for
the first time. The ogre smiled. "Open it."
"What's in it?" she asked.
He said, "I forget, actually."
Delicately but fearlessly, she lifted the lid, and out swooped, with the same vividness that had astonished and alarmed his nostrils as a child,
the sweetish deep cedary smell, undiminished, cedar and camphor and paper and cloth, the smell of family, family without end.
Why does the narrator refer to himself as an "ogre?" What comparison can you draw between how Morna views the narrator and the old objects
and how the narrator as a boy viewed similar people and objects?

either a donut or a sphere or a pancake or a flat sphere. it depends on where the vertical line is.

if the line goes through the center of the circle and is perpendicular to a diameter containing the center, then you get a flat circle.

if the line and the diameter of a the circle meet in the center of the diameter and at an angle, you get a pancake.

if the line is on the circumference of the circle and is at right angles   to the circle you get a ring.

if the line contains the diameter, you get a sphere.

the the line is parallel to the diameter and touches the circumference, you get a donut.

d

explanation:

wheres the passage with the idiom underlined

the correct answer is c. both inform the reader that faryad and liaqat were not given the chance to tell their vision of events at the police station.

the story comes from the book "the little hero: one boy's fight for freedom", written by iqbal mashis.

the book tells the story of the author and the children's slavery. it is an illustrated book.