A student is writing an essay about how Greg changes from the beginning of “The Treasure of Lemon Brown” to the end. What should the student do during the prewriting process to help trace how Greg changes? Create a chart that lists Greg’s traits at the beginning of the story, the important conflicts in the middle of the story, and his traits at the end of the story
Develop a thesis statement that summarizes all of the important conflicts that Greg experiences in the beginning, middle, and end of the story.
Locate and paraphrase several pieces of evidence from the text that show Greg’s traits at the beginning and end of the story.
Develop a conclusion that provides strong evidence from the text about what Greg is like at the beginning, the middle, and the end of the story.

answer:   a good wench, give it me.

iago

good girl, give it to me.

emilia

what will you do with ’t, that you have been so earnest

325to have me filch it?

emilia

and what are you going to do with it? why did you want it so much that you begged me to steal it?

iago

  why, what is that to you?

iago

what’s it to you?

emilia

if it be not for some purpose of import,

give ’t me again. poor lady, she’ll run mad

when she shall lack it.

emilia

if you don’t need it for some important reason, then give it back to me. poor lady, she’ll go crazy when she sees it’s missing.

iago

be not acknown on ’t,

330i have use for it. go, leave me.

iago

don’t admit to knowing anything about it. i need it. now go, leave me.

exit emilia

emilia exits.

i will in cassio’s lodging lose this napkin

and let him find it. trifles light as air

are to the jealous confirmations strong

as proofs of holy writ. this may do something.

335the moor already changes with my poison.

dangerous conceits are in their natures poisons

which at the first are scarce found to distaste,

but with a little act upon the blood

burn like the mines of sulfur.

i’ll leave this handkerchief at cassio’s house and let him find it.to a jealous man, a meaningless little thing like this looks like absolute proof. this handkerchief may be useful to me. the moor’s mind has already become infected with my poisonous suggestions. ideas can be like poisons. at first they hardly even taste bad, but once they get into your blood they start burning like hot lava.

enter othello

othello enters.

    i did say so.

340look, where he comes. not poppy nor mandragora

nor all the drowsy syrups of the world,

shall ever medicine thee to that sweet sleep

which thou owedst yesterday.

here he comes. no drugs or sleeping pills will ever give you the restful sleep that you had last night.

othello

    ha! ha! false to me?

othello

argh! she’s cheating on me?

iago

why, how now, general? no more of that.

iago

oh, general, , no more of that!

explanation:

the switch in narration increases the proximity of the narrator to the main character and the reader can perceive information only through the filter of a single character.

the opening scene of "sweat" exposes the great emotional charge of the story. it shows the violence and abuse that dyes the marriage between delia jones and skyes.

skyes decides to terrorize his wife by pulling a bull whip (which resembles a snake), knowing that she is terrified of those animals. skyes laughs cruelly at her and kicks the laundry with which delia has been working hard, telling her to get rid of it. skyes also comments on her religious manners, telling his wife how ridiculous they are. delia reacts by threatening skyes with her frying pan, generating even more conflict

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