I'm stressed out, think I need a blunt or five To get me through the rest of the night
This pressure is weighing on my mind
Not enough time to shine
I'm stressed out, think I need a blunt or five
To get me through the rest of the night
This pressure is weighing on my mind
Not enough time to shine

Go-o, look where I'ma go (I'm gone)
And I let you get so close
With a heart blacker than coal (Uh-mm)
But I thought this shi. t was gold
Why you acting like you know? You don't know
Yeah, yeah not enough, no
You're not even close
Think I'm getting closer, when I'm in my zone, leave me alone
Yeah, yeah, what you want?
Why you always bugging? When I say I need my space
Get the f/u/c/k away
Go, go where'd you go? It's so hard to find you
After everything you can pack your things and leave
I won't need nobody else, I'll be fine without you
Money in the bank, give a f/u/c/k 'bout what you think

I'm stressed out, think I need a blunt or five
To get me through the rest of the night
This pressure is weighing on my mind
Not enough time to shine
I'm stressed out, think I need a blunt or five
To get me through the rest of the night
This pressure is weighing on my mind
Not enough time to shine

Heart is beating out my chest, I'm sick of this pressure
I'm upset 'cause if I don't control this stress I'm dying young
I'm sick of hearing you talk down when I'm being myself
And I can't think 'cause there's no peace and quiet whenever you're around
So I roll another f/u/c/king dart just to get me high up
One after another 'til I feel alive
And I could find somebody new before the end of the night
So keep talking like you do, like I'm trash
You got me rethinking love
When I put you before me, look where I ended up (Ayy, yeah, yeah)
Sick of hoping my time is enough
So packing and leaving, don't need you no more (No, no, no, no)

I'm stressed out, think I need a blunt or five
To get me through the rest of the night
This pressure is weighing on my mind
Not enough time to shine
I'm stressed out, think I need a blunt or five
To get me through the rest of the night
This pressure is weighing on my mind
Not enough time to shine

answer: there description

explanation: the description of a character

explanatithe story "two kinds" , revolves around a strict relationship between a mother and daughter. the mother tries very hard to make sure her daughter jing mei , is successful in life and lives up to her full potential. the story explores alot of different themes. though , there is one theme that really stands out. you cant force someone to be something that their not.

jing mei's mother was an immagrant from china. she moved to the united states to give her daughter , jing mei , a better and successful life for her. and being raised in china with their strict rules and striving to be perfect took a toll on her and her daughters relationship. she pressures her daughter to be great and perfect all the time but it gets really hard for her to live up to her mothers standards. her mother believes that jing mei can be a child prodigy and prepares her to be and act like one. furthermore , the story ends with jing mei getting everything off her chest and seeing the dissappointment in her mothers eyes as she finds out her daughter has not lived up to her full potential. and her mother has finally gained an understanding of her daughter.

tbh ur lucky i answered because you only gave 5 points. it should have been like 50.

while his customary satire is present in mark twain's short story "the notorious jumping frog of calaveras county," there is a cloaking of this satire as twain's narrator is not directly involved. another literary device that you could build a thesis around is the use by twain of hyperbole.

mark as brainilest

"character is what you are in the dark." dwight lyman moody, in this very witty quotation of his, states we act and think differently when we are "in the dark", that is, when the spotlight is not on us and everyone can see us and consequently judge us. when reading, we tend to be sympathetic to some characters and their dilemmas. by being so, we are saying to ourselves that we agree with those characters' acts and choices, even if they are morally questionable if we have common sense in mind. dwight lyman moody's quotation applies very well to "crime and punishment", by   19th century russian writer fiodor dostoyevsky. raskolnikov, the main character, a former law student who spends his days reflecting upon life and its misery, draws a fatal conclusion: mankind is divided in two main categories: ordinary and extraordinary people. the first are the ones who lead a run-of-the-mill existence and are full of imperfections; the latter are the ones who are spiritually superior, the ones who always know better, and have the right to judge the ordinary ones, as well as eliminate them if for common good. raskolnikov considers himself as belonging to the extraordinary category and decides to kill an old lady who is a money lender and in whose house he rents a small room. raskolnikov compares himself to napoleon, who had the undeniable right to execute tons of people during the war in order to save his nation. of course what the main character decides to do is a horrendous crime, but as readers we feel it is the right thing for him to do, since the victim is a mean old woman who only thinks about money and keeps humiliating her younger sister. what one experiences is a mixture of sympathy and empathy for the character, even though he decides to commit homicide, which is not at all accepted or tolerated by civilized citizens. however, since readers are "in the dark", they allow themselves to feel in ways they would probably never dare to confess to anyone, no matter how nasty or vicious a character can be. after all, they are just reading and doing no harm. in other words, readers are in the dark and can be who they are without being judged.