Address to the Troops at Tilbury Response to Parliament's Request
That She Marry
In the mean time my lieutenant-general
shall be in my stead, than whom never
prince commanded a more noble or
worthy subject, not doubting but by your
obedience to my general, by your
concord in the camp, and your valour in
the field, we shall shortly have a famous
victory over those enemies of God, of my
kingdoms, and of my people.
For though I be never so careful of your
well-doing, and mind ever so to be, yet
may my issue grow out of kind, and
become perhaps ungracious
How does the rhetorical appeal used in these excerpts from Queen Elizabeth's Address to the Troops at Tilbury
and Response to Parliament's Request That She Marry compare?
Both use an appeal to logos by providing a reason to support her purpose.
Both use an appeal to ethos by providing a reason why she should be trusted.
Both use an appeal to logos by encouraging her audience to show strength.
Both use an appeal to ethos by listing credentials to support her credibility.

Read the excerpts from "the royal house of thebes" and "the story of a warrior queen." "we are women," she told her sister. "we must obey. we have no strength to defy the state." "choose your own part," antigone said. "i go to bury the brother i love." "you are not strong enough," ismene cried. "why, then when my strength fails," antigone answered, "i will give up." she left her sister; ismene dared not follow her. —"the royal house of thebes" again and again the romans were defeated, till it almost seemed as if the britons really would succeed in driving them out of the country. boadicea herself led the soldiers, encouraging them with her brave words. "it is better to die with honor than to live in slavery," she said. "i am a woman, but i would rather die than yield. will you follow me, men? " and of course the men followed her gladly. —"the story of a warrior queen" how are the archetypes presented in these two passages different? the first passage shows antigone as a warrior, and the second passage shows boadicea as a tragic heroine. the first passage shows antigone as a tragic heroine, and the second passage shows boadicea as a sage. the first passage shows antigone as a rebel, and the second passage shows boadicea as a warrior. the first passage shows antigone as a villain, and the second passage shows boadicea as a sage.