Trust thyself: every heart vibrates to that iron string. accept the place the divine providence has found for you, the society of your contemporaries, the connection of events. great men have always done so, and confided themselves childlike to the genius of their age, betraying their perception that the absolutely trustworthy was seated at their heart, working through their hands, predominating in all their being. and we are now men, and must accept in the highest mind the same transcendent destiny; and not minors and invalids in a protected corner, not cowards fleeing before a revolution, but guides, redeemers, and benefactors, obeying the almighty effort, and advancing on chaos and the dark.

Dylan is of course enormously influential. springsteen, who referred to him as “the father of my country” in his new born to run memoir, is one of many who were once known as “new dylans.” every singer-songwriter with a personal story to tell owes him a debt, and hearing the above lines read or sung aloud, with their knack for internal rhyme, call up inevitable parallels to the dense playful language of rap. –“dylan's nobel prize settles debate: rock lyrics are poetry,” dan deluca which piece of evidence supports the claim that dylan’s rock lyrics are like poetry? he is enormously influential. his lyrics feature internal rhyme. singer-songwriters owe him a debt. someone called him “the father of my country.”