Linda's closing remarks in lines 52-64 incorporate which of the following? A
soliloquy
B. apostrophe
C. personification
D. dramatic irony
E. verbal irony

This question is missing the excerpt. I've found it online. It is the following:

LINDA: Forgive me, dear. I can't cry. I don't know what it is, but I can't cry. I don't understand it. Why did you ever do  that? Help me, Willy, I can't cry. It seems to me that you're just on another trip. I keep expecting you. Willy, dear, I can't  cry. Why did you do it? I search and search and I search, and I can't understand it, Willy. I made the last payment on  the house today. Today, dear. And there'll be nobody home. A sob rises in her throat. We're free and clear. Sobbing  more fully, released: We're free. BIFF comes slowly toward her. We're free ... We're free ...  BIFF lifts her to her feet and moves out up right with her in his arms. LINDA sobs quietly. BERNARD and CHARLEY  come together and follow them, followed by HAPPY. Only the music of the flute is left on the darkening stage as over  the house the hard towers of the apartment buildings rise into sharp focus, and

The Curtain Falls

Linda's closing remarks incorporate:

A. soliloquy.

Explanation:

A soliloquy is a device commonly used in plays. Its purpose is to have characters make their thoughts known to the audience by speaking out loud when they are alone or regardless of any hearers. Therefore, a soliloquy usually consists of a series of ideas, questions, or remarks, often connected in a way that mimics our thoughts. That is what we have in Linda's remarks. She is speaking regardless of whoever is hearing. In this case, she does have an audience - her dead husband. In a way, she is talking to him but, since he cannot hear her, she ends up talking to herself. Her questions will go unanswered.

11-32. the main character in the parable, the forgiving father, whose character remains constant throughout the story, is a picture of god. in telling the story, jesus identifies himself with god in his loving attitude to the lost. the younger son symbolizes the lost (the tax collectors and sinners of that day, luke 15: 1), and the elder brother represents the self-righteous (the pharisees and teachers of the law of that day, luke 15: 2). the major theme of this parable seems not to be so much the conversion of the sinner, as in the previous two parables of luke 15, but rather the restoration of a believer into fellowship with the father. in the first two parables, the owner went out to look for what was lost (luke 15: 1-10), whereas in this story the father waits and watches eagerly for his son's return. we see a progression through the three parables from the relationship of one in a hundred (luke 15: 1-7), to one in ten (luke 15: 8-10), to one in one (luke 15: 11-32), demonstrating god’s love for each individual and his personal attentiveness towards all humanity. we see in this story the graciousness of the father overshadowing the sinfulness of the son, as it is the memory of the father’s goodness that brings the prodigal son to repentance (romans 2: 4).

it the climax in the poem