PART B: Which of the following quotes best supports the answer to Part A? "It swore every boy to stick to the band, and never tell any of the secrets; and if anybody done anything to any boy in the band, whichever boy
was ordered to kill that person and his family must do it" (Paragraph 4)
O
"Everybody said it was a real beautiful oath, and asked Tom if he got it out of his own head. He said, some of it, but the rest was out of pirate-
books and robberbooks" (Paragraph 5)
*'Yes, he's got a father, but you can't never find him these days. He used to lay drunk with the hogs in the tanyard, but he hain't been seen in
these parts for a year or more." (Paragraph 9)
"Ben Rogers said he couldn't get out much, only Sundays, and so he wanted to begin next Sunday, but all the boys said it would be wicked to
do it on Sunday, and that settled the thing." (Paragraph 34)

Which of these rhetorical devices is most clearly used in the underlined portion of the text?

Benvolio: part, fools! put up your swords; you know not what you do. [beats down their swords.] enter tybalt. tybalt: what! art thou drawn among these heartless hinds? turn thee, benvolio, look upon thy death. benvolio: i do but keep the peace: put up thy sword, or manage it to part these men with me. tybalt: what! drawn, and talk of peace? i hate the word, as i hate hell, all montagues, and thee. have at thee, coward! [they fight.] —romeo and juliet, william shakespeare make an inference about the motivation behind each character’s actions in this earlier scene from the play. why does benvolio beat down their swords? a) he wants to be the one to fight b) he is angry that his servant is quarrelling c) he wants there to be peace why does tybalt draw his sword and fight? a) he is motivated by anger at his servants b) he is motivated by hatred of the montegues c) he is motivated by jealousy of benvolio and the awnser is not agressive. just a reminder to yall who put in the word agressive in alot of questions like mine. as the correct awnser

Asoliloquy is used in drama to develop a strong relationship between two characters. insert humor and lightness into a dramatic scene. persuade readers toward a specific political viewpoint. allow the audience direct access to a character’s feelings.