How do the narrator's expectations of life away from home affect his perspective of Mme. Kergaran? He thinks she acts too much like a parent and resists her motherly affection. He enjoys her friendship after he claims his newfound independence. He is grateful for her hospitality even as he feels guilty for breaking her rules. He feels resentment for her strict guidelines and misses his home.

Sculpting a Message People who know artists say that artists look at the world differently. This saying was true for Louise Nevelson, one of the world's most celebrated sculptural artists. Until Louise Nevelson's time, sculptures were made primarily of carved stone or poured metal. Louise Nevelson, however, created completely different types of sculptures. Hers were assembled from ordinary objects. Artists of the first half of the twentieth century were inventive in their subject matter and technique. It was an exciting time in the art world. Even among innovators, Nevelson distinguished herself. Instead of cutting stone or pouring metal, she built her art. She deliberately sought discarded items (she called them "found materials") such as pieces of wood, tin cans, and pieces of items out of trash cans. She grouped them in varying combinations inside boxes and then stacked the boxes on top of one another. Known as wall sculptures, these structures were usually painted a single color, most often black. Sky Cathedral, one of Nevelson's most well-known sculptures, consists of 38 boxes of varying sizes. For the viewer, Nevelson's sculpture creates a feeling very different from the origins of the materials. Viewers experience a sense of awe and mystery when they see her artwork. Writers have speculated about the meaning of her work, often seeing the boxes as filled with symbolism. For example, the disarray of objects inside the boxes is said to represent her past, while the pieces of debris symbolize memories of unknown people or bits of life. Reset Next

Explanation:

source text: from the sketch here given it will be seen, that our good grandmothers differed considerably in their ideas of a fine figure, from their scantily dressed descendants of the present day. a fine lady, in those times, waddled under more clothes even on a fair summer's day, than would have clad the whole bevy of a modern ball room. nor were they the less admired by the gentlemen in consequence thereof. on the contrary, the greatness of a lover's passion seemed to increase in proportion to the magnitude of its object—and a voluminous damsel, arrayed in a dozen of petticoats, was declared by a low-dutch sonnetteer of the province, to be radiant as a sunflower, and luxuriant as a full blown cabbage. certain it is, that in those days, the heart of a lover could not contain more than one lady at a time; whereas the heart of a modern gallant has often room enough to accommodate half a dozen - - the reason of which i conclude to be, either that the hearts of the gentlemen have grown larger, or the persons of the ladies smaller — this however is a question for physiologists to determine. add punctuation to the following excerpt. writing under the name of diedrich knickerbocker washington irving aimed his potent satire at as diverse topics as political rivals such as thomas jefferson to the very ideal of looking back on the past affectionately: a fine lady, in those times, waddled under more clothes even on a fair summer's day, than would have clad the whole bevy of a modern ball room. a voluminous damsel, arrayed in a dozen of petticoats, was declared by a low-dutch sonnetteer of the province, to be radiant as a sunflower, and luxuriant as a full blown cabbage. in those days, the heart of a lover could not contain more than one lady at a time; whereas the heart of a modern gallant has often room enough to accommodate half a dozen

the aesthetic impact is that moment when you are relating spatially to the target. the "ai" occurs when you have an impression that includes both you and the target and is usually a spatial relationship.