1. Brian could not bear to be on the roof of the skyscraper any longer. He wasn't usually afraid of heights, but the wind was so strong, and Rufus kept messing with him. "Would you try to land on your
feet or your head?" Rufus asked with a straight face. Rufus could tell that he was getting to Brian, which
only encouraged him to keep going. "Let's go look over the edge, Brian," suggested Rufus, knowing full
well that Brian would refuse.
What is the narrator's perspective?
How do you know?

Item 7 shakespeare often puts the audience in a situation where they know more than one of the characters does. how does shakespeare increase the tension in the four-lovers story line by giving the audience information that one or more of the characters does not have? the audience knows that hermia’s father really approves of lysander and there is no need for hermia and lysander to run away. this knowledge builds tension because the audience wonders if hermia and lysander’s relationship will survive a night in the woods. the audience knows that helena really hates hermia and wants to hurt her. this knowledge builds tension when helena tells demetrius of hermia’s plan to run away because the audience wonders if hermia will be caught and punished. the audience knows that lysander and demetrius are under the spell, but helena and hermia do not. this knowledge builds tension and makes the audience eager to see what will happen next. the audience knows that oberon is observing the lovers, but the lovers do not know. this knowledge builds tension because oberon falls in love with helena and decides to become a human so he can marry her.

In chapter 34 of the awakening, how does the author reveal the contrast between arobin’s and robert’s characters? through the dialogue the two men have in the parlor by the different ways edna responds to them by describing them with contrasting language by placing them in opposite corners of the parlor

Read the summary of the first three paragraphs of “the world on turtle’s back.”[1] in the beginning, there was no land, only the great ocean. [2] the sky-world, the home of the gods, was above the ocean. [3] a sacred tree stood at the center. [4] one of the gods pulled out some of its roots for his pregnant wife. [5] this created a hole in the floor of the sky-world. [6] the man's wife fell through the hole toward the ocean below, clutching the roots in her hand.which is the best way to combine sentences 4 and 5? a) one of the gods pulled out some of its roots for his pregnant wife, which created a hole in the floor of the sky-world.b) one of the gods pulled out some of its roots for his pregnant wife, he created a hole in the floor of the sky-world.c) one of the gods pulled out some of its roots for his pregnant wife which created a hole in the floor of the sky-world.d) one of the gods pulled out some of its roots for his pregnant wife he created a hole in the floor of the sky-world.