. . . by 1590 the principal actors stay in the city. The burgeoning population of London provides them with large audiences, especially when they be­come established at their respective theaters: the Lord Admiral's Men at the Rose and the Lord Chamberlain's Men at the Globe. Only when the theaters are closed by the authorities because of the plague—in 1581–82, 1592–93, and 1603–4—do the London companies start to tour again, from Bath to Not­tingham. Ironically, one place they do not play is Stratford-upon-Avon. –The Time Traveler's Guide to Elizabethan England, Ian Mortimer Which factor directly influenced the actors' decision to resume their travels? the population of London the popularity of plays in Bath and Nottingham the outbreak of the plague the theater ban in Stratford-upon-Avon

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Me ! it's e2020! review the line from karin slaughter's npr interview."and with each page, that's what i try to do- is say something different about the character, something different in the reactions when they find these horrible things that are happening, or they figure out a piece of the puzzle."how does this view contract with lee child's central idea in "a simple way to create suspense"? a • child feels that the characters are not important to the plot. slaughter feels characters are central. b • child feels that characters must be unattractive and uninteresting. slaughter feels they must have reactions. c • slaughter builds suspense through her characters. child builds suspense by delaying answers. d • slaughter builds suspense by writing puzzles. child builds suspense by telling anecdotes.

How does the author view the idea that you have to be perfect in order to get into college