Coleridge wrote that poetry could succeed "by awakening the mind's attention from the lethargy of custom, and directing it to the loveliness and the wonders of the world before us; an inexhaustible treasure, but for which . . . we have eyes, yet see not, ears that hear not, and hearts that neither feel nor understand." Choose two poetic techniques from the list below, and discuss in an essay of at least 250 words how Coleridge uses them to help readers see, hear, and feel "the wonders of the world before us." Support your response with details from the poem. Click here to access the poem. Imagery
Symbolism
Metaphor, Simile, and Personification
Allusion
Rhyme and meter
Sound effects such as alliteration, assonance, and onomatopoeia

In the por "heaven" what things does echo say will last?

Which lines in this excerpt from act ii of william shakespeare’s romeo and juliet reveal that mercutio thinks romeo would be better off if he stopped thinking about love? mercutio: i will bite thee by the ear for that jest. romeo: nay, good goose, bite not. mercutio: thy wit is a very bitter sweeting it is a most sharp sauce. romeo: and is it not well served in to a sweet goose? mercutio: o here's a wit of cheveril, that stretches from an inch narrow to an ell broad! romeo: i stretch it out for that word 'broad; ' which added to the goose, proves thee far and wide a broad goose. mercutio: why, is not this better now than groaning for love? now art thou sociable, now art thou romeo; now art thou what thou art, by art as well as by nature: for this drivelling love is like a great natural, that runs lolling up and down to hide his bauble in a hole. benvolio: stop there, stop there. mercutio: thou desirest me to stop in my tale against the hair. benvolio: thou wouldst else have made thy tale large. mercutio: o, thou art deceived; i would have made it short: for i was come to the whole depth of my tale; and meant, indeed, to occupy the argument no longer.

Which sentence from the article best supports the statement above