5. PARTB: Which of the following quotes best supports the answer to Part A?
OA "We have been called the melting pot of the
world.” ( Paragraph 1)
OB "We want men not like dumb, driven cattle from
those nations where the progressive thought of
the times has scarcely made a beginning and
where they see men as mere machines..." (
Paragraph 6)
OC "We have population enough to-day without
throwing wide our doors and jeopardizing the
interests of this country by pouring into it
men..." ( Paragraph 7)
OD "We do not want to tangle the skein of
America's progress by those who imperfectly
understand the genius of our Government and
the opportunities that fie about us"

i think the answer is d)solicitude sorry if the answer is wrong.

guarenteed the right to self organization

need

explanation:

the thousand and one nights – or, as i prefer to call them in the following for purely practical reasons: the arabian nights – as we perceive them three hundred years after antoine galland’s epochal french adaptation bear a distinct arabic imprint. meanwhile, the commonly accepted model for their textual history acknowledges various stages in the conceptualization and effective formation of both the collection’s characteristic frame story and the embedded repertoire. the vast majority of tales in the preserved manuscripts of the nights has been integrated into the collection during two periods of arabic influence, the so-called baghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages are preceded by an iranian version, probably dating to pre-islamic times, which in its turn profits from both structural devices and narrative contents originating from indian tradition. considering the eminent position that iran and iranian culture hold in the early stages of the textual history of the arabian nights, surprisingly few details are known concerning the collection’s relation to and its actual position within the iranian cultural context. in the following, i will discuss links between the arabian nights and iranian culture on several levels. in surveying these links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabian nights in modern iran