Read and reread the excerpt from We Shall Not Be Moved. The officers of Local 25 sent them on to the owners — along with one more demand, recognition of the union. This came to mean the "closed shop." Only union members can work in a closed shop, since the only way to set uniform wages and standards is to have the union do it; otherwise employers would always try to undercut one another. And the union can standardize the industry only when it controls the supply of labor through the union shop.

Read and reread the excerpt from We Shall Not Be Moved.

A strike fund would have to be raised, an information bureau set up where strikers could register for relief, or for help with legal and personal problems. Publicity was another vital need — photos and eyewitness accounts of workers on the picket lines being harassed by gorillas and police. The picket lines themselves would have to be organized.

Why was publicity a vital need for the strikers?

They needed help paying their bills while not working.
They needed to register for legal and personal information.
They needed the nation to hear and see their story.
They needed their picket lines to be organized.

"the children's hour" by henry wadsworth longfellow between the dark and the daylight, when the night is beginning to lower, comes a pause in the day's occupations, that is known as the children's hour. i hear in the chamber above me the patter of little feet, the sound of a door that is opened, and voices soft and sweet. from my study i see in the lamplight, descending the broad hall stair, grave alice, and laughing allegra, and edith with golden hair. a whisper, and then a silence: yet i know by their merry eyes they are plotting and planning together to take me by surprise. a sudden rush from the stairway, a sudden raid from the hall! by three doors left unguarded they enter my castle wall! they climb up into my turret o'er the arms and back of my chair; if i try to escape, they surround me; they seem to be everywhere. they almost devour me with kisses, their arms about me entwine, till i think of the bishop of bingen in his mouse-tower on the rhine! do you think, o blue-eyed banditti, because you have scaled the wall, such an old mustache as i am is not a match for you all! i have you fast in my fortress, and will not let you depart, but put you down into the dungeon in the round-tower of my heart. and there will i keep you forever, yes, forever and a day, till the walls shall crumble to ruin, and moulder in dust away! which literary device does longfellow use most frequently in the poem? a. simile b. metaphor c. repetition d. personification