Read the excerpt from Gilgamesh: A New English Version. Enkidu said, "Don't worry, my friend,
the dream you had is a favorable one.
The eagle that you saw, with a lion's head,
stands for Humbaba. Though it dived straight toward you
and terrifying flames shot from its mouth,
nothing could cause you harm. The young man
who came to your rescue was our lord, Shamash.
He will stand beside us when the monster attacks.
Whatever happens, we will prevail."

Which statement best describes the epic feature used in this excerpt and its effect on the plot?

The difficult journey that Gilgamesh must undertake causes him to feel defeated.
The vast landscape that Gilgamesh must travel through adds tension to the plot.
The intervention of the supernatural gives Gilgamesh hope that he will defeat Humbaba.
The narrative voice of the epic poem makes it difficult for the audience to relate to Gilgamesh.

first one is your answer

~coco

the answer that is correct is the last option.

where are the multiple choice answers?

the thousand and one nights – or, as i prefer to call them in the following for purely practical reasons: the arabian nights – as we perceive them three hundred years after antoine galland’s epochal french adaptation bear a distinct arabic imprint. meanwhile, the commonly accepted model for their textual history acknowledges various stages in the conceptualization and effective formation of both the collection’s characteristic frame story and the embedded repertoire. the vast majority of tales in the preserved manuscripts of the nights has been integrated into the collection during two periods of arabic influence, the so-called baghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages are preceded by an iranian version, probably dating to pre-islamic times, which in its turn profits from both structural devices and narrative contents originating from indian tradition. considering the eminent position that iran and iranian culture hold in the early stages of the textual history of the arabian nights, surprisingly few details are known concerning the collection’s relation to and its actual position within the iranian cultural context. in the following, i will discuss links between the arabian nights and iranian culture on several levels. in surveying these links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabian nights in modern iran