are considered to be the precursors to what is now known as magical realism.

A literary mode rather than a distinguishable genre, magical realism is characterized by two conflicting perspectives, one based on a so-called rational view of reality and the other on the acceptance of the supernatural as prosaic reality. Magical realism differs from pure fantasy primarily because it is set in a normal, modern world with authentic descriptions of humans and society. It aims to seize the paradox of the union of opposites; for instance, it challenges binary oppositions like life and death and the pre-colonial past versus the post-industrial present. According to Angel Flores, magical realism involves the fusion of the real and the fantastic, or as he claims, “an amalgamation of realism and fantasy.” The presence of the supernatural in magical realism is often connected to the primeval or magical “native” mentality, which exists in opposition to European rationality (See Myths of the Native). According to Ray Verzasconi, as well as other critics, magical realism is “an expression of the New World reality which at once combines the rational elements of the European super-civilization, and the irrational elements of a primitive America.”  Gonzalez Echchevarria believes that magical realism offers a world view that is not based on natural or physical laws nor objective reality. However, the fictional world is not separated from reality either.

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oh i didn't know thx for tell me hallelujah

the answer should be:

the intervention of the supernatural gives gilgamesh hope that he will defeat humbaba.