The following passage (paragraph 3) mainly suggests that Now this is the point. You fancy me mad. Madmen know nothing. But you should have seen me. You should have seen how wisely I proceeded-
with what caution-with what foresight-with what dissimulation I went to work! I was never kinder to the old man than during the whole week
before I killed him. And every night about midnight I turned the latch of his door and opened it-oh, so gently! And then, when I had made an
opening sufficient for my head, I put in a dark lantern all closed, closed so that no light shone out, and then I thrust in my head. Oh, you would
have laughed to see how cunningly I thrust it in! I moved it slowly-very, very slowly, so that I might not disturb the old man's sleep. It took me an
hour to place my whole head within the opening so far that I could see him as he lay upon his bed. Ha!--would a madman have been so wise as
this? And then when my head was well in the room I undid the lantern cautiously-oh, so cautiously-cautiously (for the hinges creaked)-I undid
it just so much that a single thin ray fell upon the vulture eye. And this I did for seven long nights-every night just at midnight-but I found the
eye always closed; and so it was impossible to do the work; for it was not the old man who vexed me, but his Evil Eye. And every morning, when
the day broke, I went boldly into the chamber, and spoke courageously to him, calling him by name in a hearty tone, and inquiring how he had
passed the night. So you see he would have been a very profound old man, indeed, to suspect that every night, just at twelve, I looked in upon
him while he slept.

A. the narrator is not a madman
B. the narrator won't be able to kill the old man
C. the narrator does not understand his own madness and insanity
D. the old man is aware of the narrator's evil plans

hello,

answer: now it would take me a lifetime to do this problem for you but what i can do is guide you, first you will need to create your own sketch of the following items they have selected.

the correct answer is c. both inform the reader that faryad and liaqat were not given the chance to tell their vision of events at the police station.

the story comes from the book "the little hero: one boy's fight for freedom", written by iqbal mashis.

the book tells the story of the author and the children's slavery. it is an illustrated book.

the thousand and one nights – or, as i prefer to call them in the following for purely practical reasons: the arabian nights – as we perceive them three hundred years after antoine galland’s epochal french adaptation bear a distinct arabic imprint. meanwhile, the commonly accepted model for their textual history acknowledges various stages in the conceptualization and effective formation of both the collection’s characteristic frame story and the embedded repertoire. the vast majority of tales in the preserved manuscripts of the nights has been integrated into the collection during two periods of arabic influence, the so-called baghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages are preceded by an iranian version, probably dating to pre-islamic times, which in its turn profits from both structural devices and narrative contents originating from indian tradition. considering the eminent position that iran and iranian culture hold in the early stages of the textual history of the arabian nights, surprisingly few details are known concerning the collection’s relation to and its actual position within the iranian cultural context. in the following, i will discuss links between the arabian nights and iranian culture on several levels. in surveying these links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabian nights in modern iran