QUESTION 2 A fused (or run-on) sentence occurs when two or more complete thoughts run together
without proper punctuation or a conjunction. Choose all of the correct options for fixing
this fused sentence: "Ariana got lost on the way to the festival she ended up twenty miles
from where we planned to meet.”

1. Ariana got lost on the way to the festival; she ended up twenty miles from where we planned to
meet.

2. Ariana got lost on the way to the festival, she ended up twenty miles from where we planned to
meet.

3. Ariana got lost on the way to the festival, and she ended up twenty miles from where we planned
to meet.

4. Ariana got lost on the way to the festival. She ended up twenty miles from where we planned to
meet.

greet them:

buenas noches.

that is considered night time which is when "good night" is used.

answer: common sense was the pamphlet that thomas paine used to convince reluctant americans to abandon the goal of reconciling with britain and to accept that independence was the only option to preserve their liberty.

heylo !

explanation:

the thousand and one nights – or, as i prefer to call them in the following for purely practical reasons: the arabian nights – as we perceive them three hundred years after antoine galland’s epochal french adaptation bear a distinct arabic imprint. meanwhile, the commonly accepted model for their textual history acknowledges various stages in the conceptualization and effective formation of both the collection’s characteristic frame story and the embedded repertoire. the vast majority of tales in the preserved manuscripts of the nights has been integrated into the collection during two periods of arabic influence, the so-called baghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages are preceded by an iranian version, probably dating to pre-islamic times, which in its turn profits from both structural devices and narrative contents originating from indian tradition. considering the eminent position that iran and iranian culture hold in the early stages of the textual history of the arabian nights, surprisingly few details are known concerning the collection’s relation to and its actual position within the iranian cultural context. in the following, i will discuss links between the arabian nights and iranian culture on several levels. in surveying these links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabian nights in modern iran